| Movie Review
Tin & Tina (2023) is a chilled psychological horror film that combines terrible religious communities with a terrible feeling, producing a slow burn thriller that continues in the mind after the credits. Director of Rubin Stein, this Spanish horror film is a deeply atmospheric and disturbing study of faith, trauma, and darkness, which is in conditions of innocence.
The story comes with Lola (Milena Smith) and Adolfo (Jay Lorente), a young couple destroyed by a tragic movement. Desperate to restore their lives, they take tin and Tina, two seemingly angelic twins who grew up in a strict religious monastery. As time goes on, their deeply embedded belief in divine punishment and the undeniable faith begins to evil. What begins with innocent religious devotion will soon become spirals, as the couple realizes that their new children may not be as innocent as they seem.
With its stumbling cinematography, terrible performances from Carlos Gonzalez Morolen and Anastasia Russo, as disturbing twins, and slow burn tension that explodes in terrible moments, Tin & Tina is a psychological horror that is doubtful. The film explores the themes of blind faith, sadness, and paranoia, which keep the audience on the verge of being based on its chilled climax.
Troubling, suggestive and visually amazing, Tin & Tina stands out as one of the worst horrors of the year. If you enjoy the psychological horror with religious overseas and a mediocre sense, it will be necessary.